Shut Up & Read the Notes
So much music journalism is hyper-concerned with soundalikes, influences, and comparisons. And for good reason, really. Providing a reference point for readers creates an instant understanding between writer and reader. But this is quite the opposite of Boston-based trio Quilt’s approach to music. We met over coffee and pancakes recently at the East Village brunch-stitution, 7A, where I was able to learn more about the origins of their self-titled debut and one of my favorite releases of 2011.
Now, instead of keenly crafting my sprawling notes into a coherent, concise article, I’d rather you, the reader, experience it as I did. I kept looking at these notes trying to distill the experience into a consumable sound byte, but these short impressions represent the interview almost better than an article can. The band was a word-a-minute of super-fascinating genre theory and speculation on music criticism. It was interesting and enlightening. I had a great time. So, below, I present to you, my notes from the interview (nearly) unadulterated and raw as they came. Read More


